Visual Art

  • Organized chaos

    “It’s a strange origin story, but I guess it’s mine."

  • An (incomplete) queer history: Winnipeg drag

    While RuPaul’s Drag Race sits at the forefront of drag representation in popular culture, there’s much more to the art form than simply female impersonation. Behind every drag performer, there are local histories spanning many decades.

  • Arts briefs

    Real Love Thursdays // Mike Maryniuk workshop // Cyanotype and photogram workshop // Handsome Daughter anniversary party // PROJECTIONS at Centre Culturel Franco-Manitobain (CCFM) // School of Art Gallery opening

  • University of Winnipeg professor shortlisted for major literary prize

    Dr. Jenny Heijun Wills, associate professor of English at the University of Winnipeg, has been shortlisted for the 2019 Hilary Weston Writers’ Trust Prize for Nonfiction. Her memoir Older Sister. Not Necessarily Related is among five finalists for this prestigious $60,000 prize.

  • Nuit Blanche 2019

    Photos from Nuit Blanche 2019.

  • Arts briefs

    Launch at Mentoring Artists for Women’s Art (MAWA) // WNDX Festival of Moving Image // Winnipeg launch of Cam Scott’s ROMANS/SNOWMARE // Queer Skate Day costume party // Aurora Gorealis: Happy Birthday to Me // Dance Party at the Good Will

  • CRITIPEG: Between Temporal and Permanent Histories of Pain

    Though often abstract and full of hidden meanings, art is also beautiful and meaningful in its simplest forms, which is something that Lucille Kim captures in Between Temporal and Permanent Histories of Pain.

  • Analog art’s not dead?

    With the increase in quality and affordability of digital media, many people working in film and music have pivoted away from physical media, opting to photograph or record digitally and to release through online streaming services. But analog art isn’t dead yet. 

  • Leaving artists and students behind

    Manitoba Arts Council’s (MAC) new version of the Artists in Schools program rolls out this week.

  • Darkroom / Lightroom

    Through the dramatic change from analog to digital photography, one thing has remained constant.

  • Whose House? Barbara’s House!

    Barbara Bruce introduces herself in Cree. Her name is Kitchi Pinesiw Piminaw (Flies High Thunderbird), and she is from the Ma’iingan-doodem (Wolf Clan).

  • Window art

    Windows invite mutual observation. What’s outside the window looks in, and what’s inside the window looks out. At the Window project, people look in, but it’s art that looks back out.

  • CRITIPEG: locating the little heartbeats

    As the 13-month run of her work our future is in the land: if we listen to it at the Smithsonian National Museum of the American Indian in New York comes to a close, Dr. Julie Nagam mounts another immersive, multifaceted work at the University of Winnipeg’s Gallery 1C03.

  • Desire Change: A book club

    Once a month, a group of art lovers gathers at MAWA (Mentoring Artists for Women’s Art) to discuss a chapter of Desire Change: Contemporary Feminist Art in Canada.

  • First Friday Double Feature: Outward Art

    There is an incredible concentration of artists in Winnipeg. Last week's Nuit Blanche celebrations revealed the city’s voracious appetite for art.

  • Nuit Noire AfroPeg celebrates Black artists

    “Obviously, Nuit Blanche wasn’t named ... after white people,” local poet Chimwemwe Undi says. 

  • Opening up the stage

    FemFest returns! This September, Sarasvàti Productions' annual festival of feminist theatre is back with an exciting lineup of local and international artists – and a new tagline.

  • In water

    Callie Lugosi is a photographer and writer based in Winnipeg, Man., Treaty One territory and the birthplace of the Metis Nation.

  • CRITIPEG: Littoral Landscapes

    Winnipeg artist Tracy Peters’ Littoral Landscapes, a video-based installation running at Gallery 1C03 until April 7, uses a minimalist approach to explore local concerns about shores, water and time. 

  • A Survey of Jan Xylander Exhibition Posters

    Minneapolis-based artist and curator Natasha Pestich’s exhibition at Martha Street Studio presents a retrospective collection of screen-printed posters advertising past exhibits by the artist Jan Xylander.

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