“I’ve been in Winnipeg my whole life. I only started liking it a year ago."
Songwriting is often viewed as an essentially solitary activity. On Nov. 17, the Manitoba Conservatory of Music and Arts (MCMA) will host a workshop which can help to change that.
After more than 30 years as a group, it can be difficult to keep the creative process interesting. Formed in 1982 by “The Johns,” John Flansburgh and John Linnell, They Might Be Giants have been recording and touring together for most of their lives.
Contralto, American composer Sarah Hennies’ 2017 docu-symphony about trans women’s voices, takes its name from the musical term for “the lowest female singing voice.”
There is an incredible concentration of artists in Winnipeg. Last week's Nuit Blanche celebrations revealed the city’s voracious appetite for art.
Since emerging on the local scene in 2017, Winnipeg’s self-proclaimed bastard rock trio has been making waves, despite not ever having released a major project.
The first concert from Winnipeg’s classical music institutions this season was served by the Manitoba Chamber Orchestra (MCO) at Westminster United Church on Wednesday, Sept. 12.
Young musicians benefit greatly from taking part in the music scene.
Toronto four-piece FRIGS refuses to let their sound be hemmed in by vague descriptors and name-dropping comparisons, and, instead, liken their songs to living creatures that grow with each performance.
Winnipeg musician and storyteller Raine Hamilton believes music should be accessible to all and has been putting this into practice in both her music and her performances.
From September 2014 to June 2015, Cootie Club offered an alternative gathering space in Winnipeg’s music scene.
The options for musicians to rent practice space in Winnipeg are risky. The rental laws are ill-defined, which means that tenants rarely purchase insurance or sign a lease agreement, and rent is usually paid in cash
Ancient Shapes’ debut record starts fast and ends faster. This quick-paced album throws the listener straight into the band’s hands, giving barely enough time for a breather.
4th Curtis has created a wonderfully clever and theatrical indie pop album with their 2017 debut full-length, I Won The Pageant.
On Jan. 24, Calgary’s FOONYAP (the stage moniker of musician Foon Yap) will grace the stage of the Ballroom to open Big Fun Festival with their vulnerable and mesmerizing experimental folk electronic music.
Big Fun Festival, a showcase of mostly local artists, is an incentive to get out of the house during the cold winter months.
Winnipeg exists in an odd cultural space; we’re self-deprecating but have fierce hometown pride.
Just in time to begin hibernating for the winter, Beverly Tender deliver another album full of brilliant and well-informed angular indie rock.
This is yet another beautiful release from Chicago-based Orindal Records.
The current buzzword vibrating across the music scene is the term accessible. It’s mentioned in Facebook events for shows, on venue pages and used haphazardly across the industry.