Film
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Film | June 29th 2011
An interesting and important story
I’m torn on this film. On the one hand, it is an engaging, introspective documentary about trailblazing musicians who have stood up against social norms. more »
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Film | June 29th 2011
Melodrama and strange plot twists
Any actor given the task of portraying a character with a debilitating disease such as Tourette’s syndrome has to walk a fine line between realism and caricature. more »
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Film | June 2nd 2011
Playing a role for the customer
Have you ever snapped your fingers at a waitress? Ever ordered something that wasn’t on the menu? Have you ever neglected to leave a tip? more »
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Film | June 2nd 2011
Thanks for the memories?
Without running the risk of slipping into hyperbole, it is safe to say that Star Wars has spawned the sort of fanatical devotion generally reserved for cult leaders and teen pop stars. more »
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Film | June 2nd 2011
A resounding success
The Year Dolly Parton Was My Mom is a near flawless film, and quite possibly the best locally produced film in the last decade — and I’m not just saying that because it was shot here. more »
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Film | June 2nd 2011
Long distance relationships
Last year, local indie film production team Astron-6 inked a deal with B-movie crusaders Troma Entertainment to fund and distribute Father’s Day, a violent revengesploitation comedy about paternal love gone awry. more »
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Film | March 24th 2011
Thoughtful and full of talent, but lacking a plot
Mike Leigh's thoughtful, starkly naturalistic film Another Year is meant to evoke an image of just that – another year in the life of two aging affluent Britons, Tom (Jim Broadbent) and Gerri (Ruth Sheen). more »
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Film | March 17th 2011
Wide-legged pants, pantsuits and shoulder pads
Modeling in Winnipeg? Say what? more »
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Film | March 17th 2011 | 2
Dancing on the knife’s edge
Canadians have long had a love affair with rock ‘n’ roll cinema, and no one has done it better than Bruce MacDonald. more »
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Film | March 10th 2011
Exploring cinematography at the expense of character depth
Within the first seven minutes of French director Gaspar Noe's Enter the Void, it becomes obvious that to enjoy this film, you probably need to be high. more »
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