• CRITIPEG: Clemency

    Clemency is the second feature from writer/ director Chinonye Chukwu. 

  • Crazy, Winnipeg, love

    Best known for his award-winning films Inertia and My Awkward Sexual Adventure, director Sean Garrity brings a fresh look at romantic-comedy films with his new feature I Propose We Never See Each Other Again After Tonight, highlighting Winnipeg in a very special way.

  • Arts briefs

    Record Sundaze at Barn Hammer // Collage with Takashi Iwasaki // Nothin Butt ‘90s: Freeway // Crywank at Forth // Wheels & Feels // Treaty Talks with Elder Harry Bone

  • We still have some growing to do

    In this week’s issue of The Uniter, comments editor Haley Pauls examines the ongoing cultural conversation about “callout culture.” 

  • PROFile: Andrew Forbes

    Although Andrew Forbes has taught at the University of Winnipeg since 2006, it was only recently that he started teaching full-time for the Department of Theatre and Film.

  • Going Commando

    Commando is back! The wacky Winnipeg Fringe Festival hit from the mind of comedian Cory Falvo is returning to the the Gas Station Arts Centre on Feb. 22.

  • Filmmaking ain’t for everybody

    Spike Lee, Ava DuVernay and Ryan Coogler are successful Black directors, and their journeys can point to an idealistic future where all directors, regardless of race and gender, can have fruitful careers.

  • Arts briefs

    Body of Intrigue // Darkroom drop-in // Cream of the Crap IX // Community discussion on public housing // Indigenous Music Showcase // William Prince Matinee

  • CRITIPEG: Varda by Agnès

    Mass appeal and major box office earnings are often used to gauge a director’s success, but there are other ways to make an impact in film.

  • Arts briefs

    Poptart presents Pillow Talk! // CKUW Fundrive kickoff party // Paper Valentine’s bouquets // Alyssa Fearon curator talk // Merging Mindsets, Wearable Tech // Perogy dinner and cake auction

  • CRITIPEG: Uncut Gems

    The pre-release hype for Uncut Gems achieved a fever pitch rivalled only by the frustration over its tiny theatrical rollout. 

  • Another fail for the Academy

    Another awards season is approaching, and another failure to recognize women in Hollywood is at our doorsteps.

  • PROFile: Milos Mitrovic

    When Milos Mitrovic teaches Introduction to Film at the University of Winnipeg, he brings his passion for filmmaking into the classroom with him.

  • Arts briefs

    Heartbeat City EP release  // Speaking Crow: February Edition // Sustainable Winnipeg Panel // Lecture by Diane Driedger // Restoration Tuesdays at Cinematheque // Manitoba Music x Real Love Thursday

  • Arts briefs

    Plant This Movie // Pizza fundraiser for Arts Junktion // Winterruption Winnipeg // Sweet on Sustainability // Indigenous Is Not a genre // Two solo exhibitions at Plug In ICA

  • CRITIPEG: What did Jack do?

    It wasn’t too long ago that it seemed like we may never see a new David Lynch film.

  • A case for nostalgia

    There has been a lot of backlash against nostalgia in film over the past decade.

  • CRITIPEG: The Twentieth Century

    Matthew Rankin’s first feature-length film, The Twentieth Century, looks like Guy Maddin’s The Saddest Music In The World and a Canadian Heritage Minute took acid and gave birth to a wombat in a powdered wig

  • Favourite Local Filmmaker

    1.    Ryan Steel
    2.    Guy Maddin
    3.    Isaac Würmann

  • ‘There is something interesting about this city’

    Debuted at the Vancouver International Film Festival in September, Tapeworm arrives at Cinematheque on Nov. 14, and filmmakers Milos Mitrovic and Fabian Velasco, who are University of Winnipeg alumni, hint at the seriousness of their film.

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