All The Ships At Sea
At the beginning of the year, Brooklyn producer Saint Pepsi announced that he was dropping his anti-corporate non-branding title and adopting the moniker ‘Skylar Spence,’ ostensibly due to the myriad legal troubles that come along with having a name like Saint Pepsi.
Mint Records have had a roughly 25-year tradition of putting out extremely charming female-fronted indie.
Independent of each other, Colin Stetson and Sarah Neufeld are some of the most talented and exciting musicians in contemporary music.
Healing Waters is the new lo-fi bedroom project from Victoria, BC’s David Nielsen.
Gucci Mane was charged for possession of a firearm in the Spring of 2014, and isn’t getting released until early 2017.
It is far easier to describe Sean Nicholas Savage’s 4th album, Bermuda Waterfall, by the images it conjures in the imagination, as opposed to what it sounds like.
It would be easy to appraise this album in light of the recent disbanding of the band. It’s not terribly hard to, even on a cursory consideration of the lyrics, wonder if this wasn’t a long-simmering conflict that influenced the record.
Red Moon Road’s new album Sorrows and Glories is a folk/roots album that is equally delightful and mighty. Their first track 'Beauty In These Broken Bones’ starts the album off strong, blasting forth full of soul. Sheena’s explosively powerful vocals are undeniably robust and beautiful.
Winnipegger Curtis Nowosad, who now lives in New York, came back to Winnipeg last June and recorded Dialectics, the followup to his 2012 debut, The Skeptic and the Cynic. Nowosad enlisted his old bandmates who all have ties with the University of Manitoba jazz studies program. Steve Kirby's bass, along with Nowosad’s fluid drumming anchor the jazz ship along on the journey through six original tunes and three covers.
The Thrashers’s new LP, Robot Invaders from the Death Galaxy, is a chaotic twist of groove-infused surf punk that intermixes elements of rock ‘n roll with emphatic jazz momentum. Their whirling, abrasive mix of boisterous styles is an offbeat sound that somehow feels uniquely in place. It’s music that demands a somatic response
Okay, with a title like Shit Sucks and the cartoonish drawing of B. A. Johnston on the cover of the CD, I wasn't sure what to expect. I thought it would be a punk rock recording. I was pleasantly surprised (although I do like punk).
Solhounds’s fantastically groovy, funky, punky, possibly drug-infused psychedelic sound falls somewhere between the feel of bands such as Sublime, and Foxygen. Their debut EP, Smells Like Wet Dog, shows incredible potential as each track delivers a unique tone and feel.
Greek Riots just played its first show almost a year ago at the first Uniter Fiver showcase, but the guys are already showing that they’re capable of penning well-crafted indie-rock tunes that are worth your time.
Local songstress Dominique Lemoine has been making music as À La Mode and with others (Eagle Lake Owls, etc) for years, but this trio of tunes marks the first proper release from her solo project.
Swedish electronic artist Johan Agebjörn’s latest album Notes is being labelled as an ambient record, which is a bit of a misnomer.
Local hip hop artist Alfa’s latest, Harmattan is a solid, bob-your-head slice of funk, totally free of DJ work and samples we’ve come to expect from decades of hip hop.
Recorded in both a warehouse and a hand-built log cabin, The Crooked Brothers’ third studio album Thank You I’m Sorry resonates with the lonesome snarl of a concrete outlaw.
Opening with The Civil Disobedients’ “Car Seat” - a track about a woman murdering her two children - this 14 song comp from local label Elephant Bell is intense, heavy and free on Bandcamp.