Amidst the monsoon-like flood of rap music drops in springtime, a truly vast sum of releases are dropped, resulting from the solidarity of Winnipeg’s bitter cold.
‘90s nostalgia is alive and well, judging by the latest outing of Selkirk grunge-revival quartet The Bloodshots.
Anchorless (March 2019) is the sophomore album by Logan McKillop, a singer-songwriter from Onanole, Manitoba.
Pkew Pkew Pkew are a rock quartet from Toronto who have etched a name for themselves within their respective scene over their six-year tenure as a group.
There are few things more existentially terrifying than cancer. I imagine it’s near impossible to properly describe the sensation of carrying your death with you always.
Jamboree starts their five-track EP Island Life off with sparkling synthesizer sounds and crystal-clear rhodes tones.
House Handshake presents itself less as a band and more of a tight-knit, makeshift family.
Lana Winterhalt’s debut LP If & When is an indie-pop triumph, pushing the singer-songwriter’s vocal power and intelligent, thoughtful musicality to the forefront of the genre.
If you follow European music, you may already be familiar with Stand High Patrol.
Hail Taxi’s EP Apart for So Long is a hearty mix of folk, electronic and synth-pop all in one bowl of music stew.
The Famous Sandhogs are a band of minstrels with a vast amount of material. Their album Bohonky Tonk, as they describe it, is a Ukrainian rock opera, set during the Khmelnytskyi uprising in 1648.
Relentless, gut-punching, haunting.
With their third album, Mitten Claps prove that it takes two with Can’t Not.
The first time I heard 6lack I was just going through some music I had never heard that was in my music library.
On Feb. 16 2018, Nipsey Hussle released his first studio album Victory Lap.
At first glance, it’s tempting to classify C. Samms’ Synthetic Properties as a piece of particularly tight, energetic vaporwave – a more tastefully orchestrated strain of the genre birthed from the internet’s neon guts.
Since emerging on the local scene in 2017, Winnipeg’s self-proclaimed bastard rock trio has been making waves, despite not ever having released a major project.
Winnipeg artist Sister Grimace, with help from Aaron Funk and Joanne Pollock, delivers a mystic ambient trip with her debut release Exorcise Shorts.
Avec Le Soleil Sortant De Sa Bouche's thing, other than having an extremely long name, is playing, in their own words, “Kraut-funk,” which is to say that they play trance-inducing, multi-part motorik suites.
This Is Our Vice is a great synth-pop record for a casual listen as well as an energizing one.